Red Hot Chili Peppers History
Red Hot Chili Peppers are a Californian rock band who have combined aspects of funk and hip-hop with rock and roll, pioneering funk metal. RHCP was 1979 at Fairfax High School, California by Anthony Kiedis (Vocals), Michael Balzary (Bass), and Hillel Slovak (Guitar). The roots of the band lay in a friendship forged by three school chums, Anthony Kiedis, Michael Balzary, and Hillel Slovak, while they attended Fairfax High School in California back in the late '70s/early '80s. While Balzary and Slovak showed great musical promise (on trumpet and guitar, respectively), Kiedis focused on poetry and acting during his high school career. During this time, Slovak taught Balzary how to play bass, while the duo encouraged Kiedis to start putting his poetry to music, which he soon did. Influenced heavily by the burgeoning L.A. punk scene (the Germs, Black Flag, Fear, Minutemen, X, etc.) as well as funk (Parliament-Funkadelic, Sly & the Family Stone, etc.), the trio began to rehearse with another friend, drummer Jack Irons, leading to the formation of Tony Flow & the Miraculously Majestic Masters of Mayhem, a group that played strip bars along the sunset strip during the early '80s. 1979 saw the music revolution explosion. Punk became more to the realm of popularity with the likes of Blondie and Talking Heads. New Wave began thrusting forward into the 80's scene all while disco began to diminish completely from the mainstream. Red Hot Chili Peppers were formed based on the outlook of tomorrow's scene. Giving punk and funk accolades, Red Hot Chili Peppers had no idea of the impact they would make many years later. Originally known as Tony Flow and the Miraculously Majestic Masters of Mayhem throughout the early 80's playing small clubs for the experience needed to give themselves a full throttle revolution of their own. By 1983 the band was well known for their stage antics and the original concept of playing live in nothing worn but a single sock on their penis'. It was at this time that Balzary would change his name permanently to Flea as the band changed their names permanently to Red Hot Chili Peppers. Word spread quickly about the up-and-coming band, resulting in a recording contract with EMI. But before the Chili Peppers could begin work on their debut, Flea and Kiedis were dealt a disappointing blow when both Slovak and Irons announced that they were leaving to focus more on another band they were in, What Is This. With replacement members Jack Sherman (guitar) and Cliff Martinez (drums) filling in, the Peppers released their self-titled debut in 1984. But the absence of the two original members showed, as the album failed to capture the excitement of their live show. While the album didn't set the world on fire sales-wise, the group began to build a dedicated underground following with college radio buffs. By 1985, What Is This was kaput (after issuing a single self-titled album), as Slovak and Irons returned back to the Peppers, resulting in the George Clinton-produced Freaky Styley. While the album was an improvement over its predecessor, it still lacked the fire of the band's in-concert experience, a problem that would finally be solved with their next album, 1987's The Uplift Mofo Party Plan. The album was the group's first to make an impression on the charts, and they followed it up a year later with stopgap five-track release, The Abbey Road EP, in 1988. The rising fame of the Peppers was struck down by the drug overdose of Slovak by June of '88. A replacement would prove hard as Irons would leave permanently and Kiedas battled his own drug addictions. Flea gave the group a new light with the additions of John Frusciante and Chad Smith. It was this line-up that proved the most successful with the single release "Higher Ground" (originally by Stevie Wonder) from the 1989 EMI album, Mother's Milk. From there on the band would continue an upward rise to the top. The group knew that their next release would be the most important one of their career, so they moved into a mansion-turned-recording studio with producer Rick Rubin to work on what would become their most successful release yet, the stripped-down Blood Sugar Sex Magik (their first for the Warner Bros. label). The album became a monster hit upon its September 1991 release (going on to eventually sell a staggering seven million copies in the U.S. alone), as it spawned such hits as "Give It Away" and the group's first Top Ten single, "Under the Bridge." With Blood Sugar Sex Magik, producer Rick Rubin focuses on the quartet's songwriting and sets the elastic bass lines, syncopated drumming, and Frusciante's scratchy, punk-Hendrix guitars in uncluttered arrangements that bring the melodies closer to the surface. Singer Anthony Kiedis even became something of a crooner on the breakthrough ballad "Under the Bridge," an unlikely development that turned the band into Lollapalooza-era stars. But not all was well in the Chili Peppers camp. Like his predecessor, Frusciante had become addicted to hard drugs, and abruptly left the band mid-tour in early 1992. Undeterred, the band enlisted new member Arik Marshall, and headlined Lollapalooza II in the summer. When the band returned to the studio to work on their sixth release overall, it quickly became apparent that Marshall didn't fit in, and was replaced by Jesse Tobias. But before Tobias could record a note with the group, he was handed his walking papers as well, and former Jane's Addiction guitarist Dave Navarro signed on. After a layoff of four years, the Peppers' much-delayed follow-up to BSSM was released in 1995, One Hot Minute. While the album was a sizeable hit, it failed to match the success and musical focus of its predecessor, as it became apparent during the album's ensuing tour that Navarro wasn't fitting in as well as originally hoped, and left the band in early 1998. One Hot Minute, made with guitarist Dave Navarro, marks the mainstreaming of the Peppers, with the ratio of throwaways to keepers leveling off. An unexpected lightness surfaces on "Aeroplane," and a social consciousness permeates "Shallow Be Thy Game" and "Pea." (The band has since disavowed the album.) An outright pop sensibility, unimaginable a decade before, pervades Californication. The return of prodigal guitarist John Frusciante gives the band a second strong instrumental voice to complement Flea's, while Kiedis focuses on increasingly vibrant vocal melodies. Almost all vestiges of the band's funk-monkey persona have been expunged in favor of textured sing-alongs. It adds up to the quartet's most consistent recording. Something is missing, though, which becomes apparent on By the Way. Even though the disc boasts a bevy of multihued pop tunes, it forgets to rock. Flea's hyper bass lines take a holiday, but Frusciante's myriad guitar voicings nearly compensate: choppy funk accents ("By the Way"), trickle-to-a-monsoon dynamics ("Don't Forget Me"), flamenco flourishes ("Cabron"). Kiedis digs deeper emotionally, but ballads have never been his forte -- and By the Way is full of them. After checking himself into rehab and putting his demons behind him, Frusciante emerged once again refocused and re-energized, and promptly accepted an invitation to rejoin the Peppers once more. The group's reunion album, 1999's Californication, proved to be another monster success, reconfirming the Chili Peppers as one of alternative rock's top bands. The band put in a quick guest appearance on Fishbone's Psychotic Friends Nuttwerx before hitting the road to support the album. The following months found the band getting involved in bizarre situations and controversies. First, their refusal to play songs from One Hot Minute during the tour was an unpopular decision with some fans and a sore spot for Dave Navarro. Next, they reignited a personal feud between Kiedis and Mr. Bungle singer Mike Patton by refusing to play a series of European concerts with Bungle. Patton responded with a "tribute" show for the Peppers, where Bungle mocked their stage moves, faked shooting up heroin, and imitated Kiedis' comments about Patton. They also played the ill-fated Woodstock '99 festival, where their headlining performance was met with piles of burning rubble and a full-scale riot. Tours with the Foo Fighters and Pearl Jam brought them into the next year without problems, but they stepped off the road after a planned stop in Israel was halted due to security worries. They returned to the studio in November of 2001 and by the summer of 2002 they had a new album ready to drop, By the Way. Warner Brothers released a Greatest Hits compilation in 2003, followed by a chart-topping two-CD album of all-new material, Stadium Arcadium, in 2006.Sources: mtv.com, 8notes.com, rollingstone.com, mattsmusicpage.com.